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	<title>Group Theatre Research Journal</title>
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		<title>Group Theatre Research Journal</title>
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		<title>World Theatre Day</title>
		<link>http://grouptheatre.wordpress.com/2010/02/22/world-theatre-day/</link>
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		<pubDate>Mon, 22 Feb 2010 14:21:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[World Theatre Day is on 21st March every year. It is an initiative of International Theatre Institute in 1961 (see history). Their main publication in The World of Theatre. Bangladesh centre of ITI has a history of &#8216;long-standing dedication&#8217; since 1991. &#8220;What is familiar to us becomes unseen. Doing theatre throws light on the stage [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=18&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>World Theatre Day is on 21st March every year. It is an initiative of <a href="http://iti-worldwide.org/aboutiti.html">International Theatre Institute</a> in 1961 (see <a href="http://iti-worldwide.org/theatreday.html">history</a>). Their main publication in <span style="font-style:italic;"><a href="http://iti-worldwide.org/worldoftheatre.html">The World of Theatre</a></span>. Bangladesh centre of ITI has a history of &#8216;long-standing dedication&#8217; since 1991.</p>
<p>&#8220;What is familiar to us becomes unseen. Doing theatre throws light on the stage of daily life.&#8221; Wrote Augusto Boal in <a href="http://worldtheatreday.org/the-2009-world-theatre-day-inernational-message-2/">his message for Theatreday 2009</a>. Jean Cocteau wrote the message for first Theatreday, 1961.</p>
<p>A consortium of theatre groups in Durgapur are producing <span style="font-style:italic;">Red Olienders</span>. (Source: Manu&#8217;da)</p>
<p>In Kolkata, Usha Ganguly&#8217;s Rangakarmi is producing <span style="font-style:italic;">Bhor (The Dawn), </span>unrelated to Theatreday<span style="font-style:italic;">.</span> See write-up in <a href="http://www.anandabazar.com/22karcha.htm">ABP karcha, 22 Feb 10</a></p>
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			<media:title type="html">prasantadhar</media:title>
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		<title>Theatre and film</title>
		<link>http://grouptheatre.wordpress.com/2010/02/20/theatre-and-film/</link>
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		<pubDate>Sat, 20 Feb 2010 15:57:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[The intersection of theatre and film is sometimes blamed by theatre-activists (like that dada in Satyajit Ray&#8217;s Nayak), but it has also been very useful for progressing the cause of theatre, viz. reaching to a greater numbr of public. Since the days of Nabanna, artists like Sambhu Mitra and Tripti Mitra have been attached to [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=17&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The intersection of theatre and film is sometimes blamed by theatre-activists (like that dada in Satyajit Ray&#8217;s Nayak), but it has also been very useful for progressing the cause of theatre, viz. reaching to a greater numbr of public. Since the days of  <span style="font-style:italic;">Nabanna, </span>artists like Sambhu Mitra and Tripti Mitra have been attached to films like <span style="font-style:italic;">Dharti Ke lal.</span> Later we have seen Utpal Dutt doing comic roles in Hindi commercial films (Bharucha calls baffonery). Ajitesh acted in films as well as Rudraprasad, later on. Manoj Mitra collaborated with Tapan Sinha in his filmatizing the drama Sajano Bagan &#8211; written, directed and acted in by Manoj Mitra himself &#8211; into Bancharamer Bagan, the film; he later wrote a monograph on that transition.</p>
<p>The latest generation of theatre workers, most famously Suman Mukhopadhyay, is working full-time in films. See The Telegraph,  7 Feb 2010. <a href="http://www.telegraphindia.com/1100207/jsp/graphiti/story_12074600.jsp">Link.</a></p>
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			<media:title type="html">prasantadhar</media:title>
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		<title>Upside down?</title>
		<link>http://grouptheatre.wordpress.com/2010/02/17/upside-down/</link>
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		<pubDate>Wed, 17 Feb 2010 21:51:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[On the one hand, great find: Enact, Natya, Theatre India, &#38; Theatre International are available at York U.On the other, great too: Charbak is staging &#8216;Chalo Patol Tuli&#8217; &#8211; written, directed, produced by some Ganguli. Is GT dead already?<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=16&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>On the one hand, great find: Enact, Natya, Theatre India, &amp; Theatre International are available at York U.<br />On the other, great too: Charbak is staging &#8216;Chalo Patol Tuli&#8217; &#8211; written, directed, produced by some Ganguli. Is GT dead already?</p>
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			<media:title type="html">prasantadhar</media:title>
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		<title>Urban Space</title>
		<link>http://grouptheatre.wordpress.com/2010/02/17/urban-space/</link>
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		<pubDate>Wed, 17 Feb 2010 01:45:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[The problematic of urban modernity must be an important factor in GT; in deed, in anything related to theatre. Proscenium or street &#8211; theatre is a business in urban life. Calcutta / Kolkata is the main player in GT.Great! See works of Sumanta Bannerjee, Ranijni Mazumdar, Emma Tarlow, Gyan Prakash. For theory: see Lefevbre.Elden, Stuart. [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=15&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The problematic of urban modernity must be an important factor in GT; in deed, in anything related to theatre. Proscenium or street &#8211; theatre is a business in urban life. Calcutta / Kolkata is the main player in GT.<br />Great! See works of Sumanta Bannerjee, Ranijni Mazumdar, Emma Tarlow, Gyan Prakash.</p>
<p>For theory: see Lefevbre.<br />Elden, Stuart. 2004. <span style="font-style:italic;">Understanding Henri Lefebvre</span>. Continuum International Publishing Group. <span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3A0826470025%2C%209780826470027&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Understanding%20Henri%20Lefebvre&amp;rft.publisher=Continuum%20International%20Publishing%20Group&amp;rft.aufirst=Stuart&amp;rft.aulast=Elden&amp;rft.au=Stuart%20Elden&amp;rft.date=2004&amp;rft.isbn=0826470025%2C%209780826470027">Elden will lecture at MCIS 108N on 09 Apr 2010, 2-4PM <a href="http://philosophy.utoronto.ca/stuart-elden-durham-university">Link</a></span>
<div style="line-height:1.1em;margin-left:.5in;text-indent:-.5in;">
<p style="margin:0;"></p>
<p style="margin:0;">See also reading list on <span class="Z3988" title="url_ver=Z39.88-2004&amp;ctx_ver=Z39.88-2004&amp;rft_id=urn%3Aisbn%3A0826470025%2C%209780826470027&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;rft.genre=book&amp;rft.btitle=Understanding%20Henri%20Lefebvre&amp;rft.publisher=Continuum%20International%20Publishing%20Group&amp;rft.aufirst=Stuart&amp;rft.aulast=Elden&amp;rft.au=Stuart%20Elden&amp;rft.date=2004&amp;rft.isbn=0826470025%2C%209780826470027"><a href="http://bombayology.net/category/reading-group/">Urban South Asia</a><br /></span></p>
</p></div>
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			<media:title type="html">prasantadhar</media:title>
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		<title>Suman Mukhopadhyay</title>
		<link>http://grouptheatre.wordpress.com/2010/02/16/suman-mukhopadhyay/</link>
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		<pubDate>Tue, 16 Feb 2010 17:20:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[b. 1966; actor, director, playwright, filmmaker; worked with Chetana; founded Tritya Sutra in April 2000. Tritya Sutra: 18/1/14, Uday Shankar Sarani, Kolkata 700 033; 6/7 AJC Bose Road, Kolkata 700017. Ph: 9133 &#8211; 24144090; e: titiyosutra@yahoo.co.in Source: Bharat Natya Mahotsav, NSD, 2006, p. 208-212.Websources:His interview with STQ 2001. (in public domain)http://en.wikipedia.org/wiki/Suman_Mukhopadhyayhttp://www.sumanmukhopadhyay.com/http://www.imdb.com/name/nm2655736/<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=14&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>b. 1966; actor, director, playwright, filmmaker; worked with Chetana; founded Tritya Sutra in April 2000.</p>
<p>Tritya Sutra: 18/1/14, Uday Shankar Sarani, Kolkata 700 033; 6/7 AJC Bose Road, Kolkata 700017. Ph: 9133 &#8211; 24144090; e: titiyosutra@yahoo.co.in</p>
<p>Source: Bharat Natya Mahotsav, NSD, 2006, p. 208-212.<br />Websources:<br /><a href="http://en.wikipedia.org/wiki/Suman_Mukhopadhyay">His interview with STQ 2001. (in public domain)<br />http://en.wikipedia.org/wiki/Suman_Mukhopadhyay</a><br /><a href="http://www.sumanmukhopadhyay.com/">http://www.sumanmukhopadhyay.com/</a><a href="http://www.imdb.com/name/nm2655736/"><br />http://www.imdb.com/name/nm2655736/</a></p>
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		<title>European research initiatives</title>
		<link>http://grouptheatre.wordpress.com/2010/02/16/european-research-initiatives/</link>
		<comments>http://grouptheatre.wordpress.com/2010/02/16/european-research-initiatives/#comments</comments>
		<pubDate>Tue, 16 Feb 2010 04:06:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[Thanks to Rini for drawing my attention to Dr Christyna Nygren&#8217;s book Boundless Bengal on folk theatre of Bangladesh.Swedish scholars are taking interest in Bangla theatre. The SASNET website tells quite a story of U of Stockholm collaboration with Indian and Bangladeshi scholars in studying theatre of both Bangaldesh and West Bengal.Norwegians are not far [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=13&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Thanks to Rini for drawing my attention to Dr Christyna Nygren&#8217;s book <a href="http://priyo.com/lifestyle/20081122/16245"><span style="font-style:italic;">Boundless Bengal</span></a> on folk theatre of Bangladesh.<br />Swedish scholars are taking interest in Bangla theatre. The <a href="http://www.sasnet.lu.se/theatre.html">SASNET website</a> tells quite a story of U of Stockholm collaboration with Indian and Bangladeshi scholars in studying theatre of both Bangaldesh and West Bengal.<br />Norwegians are not far behind either; Geir Heierstad&#8217;s dissertation on Nandikar is in public domain.<br />What about the BFG anthros? <a href="http://www.telegraphindia.com/1100117/jsp/frontpage/story_11994617.jsp">Elke Mader</a> of U of Vienna is working on &#8216;Sharukhology&#8217;; what about theatre?</p>
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			<media:title type="html">prasantadhar</media:title>
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		<title>Theatre Journals</title>
		<link>http://grouptheatre.wordpress.com/2010/02/14/theatre-journals/</link>
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		<pubDate>Sun, 14 Feb 2010 21:44:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[from India: Kolkata &#8211; Group Theatre Patrika &#8211; ? &#8211; active Kolkata &#8211; Anustup &#8211; ? &#8211; active Kolkata &#8211; Bohurupee Patrika &#8211; Bohurupee &#8211; ? &#8211; active Kolkata &#8211; Seagull Theatre Quarterly (STQ) &#8211; Seagull Foundation for the Arts &#8211; 1994 &#8211; Qtly &#8211; active Kolkata &#8211; Theatre International &#8211; Avantgarde Press &#8211; 1994 [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=12&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>from India:
<ol>
<li>Kolkata &#8211; Group Theatre Patrika &#8211; ? &#8211; active</li>
<li>Kolkata &#8211; Anustup &#8211; ? &#8211; active</li>
<li>Kolkata &#8211; Bohurupee Patrika &#8211; Bohurupee &#8211; ? &#8211; active</li>
<li>Kolkata &#8211; Seagull Theatre Quarterly (STQ) &#8211; Seagull Foundation for the Arts &#8211; 1994 &#8211; Qtly &#8211; active</li>
<li>Kolkata &#8211; Theatre International &#8211; Avantgarde Press &#8211; 1994 &#8211; semiannual &#8211; active</li>
<li>Kolkata &#8211; Ruchi &#8211; University of Calcutta &#8211; 1982 &#8211; nk &#8211; active</li>
<li>New Delhi &#8211; Enact &#8211; Paul&#8217;s Press &#8211; 1967 &#8211; monthly &#8211; active</li>
<li>Delhi &#8211; Sangeet Natak &#8211; Sangeet Natak Academy &#8211; 1965 &#8211; ? &#8211; Active</li>
<li>Delhi &#8211; Theatre India &#8211; National School of Drama &#8211; 1999 &#8211; Semiannual &#8211; active</li>
<li>New Delhi &#8211; Natya &#8211; Bharatiya Natya Sangh &#8211; 1956 &#8211; annual &#8211; nk</li>
<li>Pune &#8211; Vrittya Vidya &#8211; U of Pune &#8211; 1965 &#8211; ? &#8211; ?</li>
<li>? &#8211; Mayurpankh &#8211; Prestige Publication &#8211; nk &#8211; ceased</li>
<li>? &#8211; National Centre for the Perofrming Arts &#8211; same name &#8211; 1972 &#8211; Quaterly &#8211; suspended</li>
<li>? &#8211; Pareekshan &#8211; same name &#8211; 1972 &#8211; nk &#8211; ceased</li>
</ol>
<p>From outside India
<ol>
<li>Modern Drama &#8211; University of Toronto &#8211; 1958 &#8211; ?</li>
<li>TDR &#8211; The Drama Review &#8211; MIT Press &#8211; ?</li>
<li>Asian Theatre Journal &#8211; U Hawai Press &#8211; ?</li>
<li>South Asian Popular Culture &#8211; Routledge (UK) &#8211; 2003 &#8211; active</li>
</ol>
<p>Not including newspapers and related magazines such as Desh (Kolkata)
<p>Source: Ulrich&#8217;s Periodical Database (keywords: theatre, India); and various</p>
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			<media:title type="html">prasantadhar</media:title>
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		<title>UTL+ Resources</title>
		<link>http://grouptheatre.wordpress.com/2010/02/13/utl-resources/</link>
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		<pubDate>Sat, 13 Feb 2010 14:39:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[Indices and databases: Indian Periodical Index AI 10. I6. G8 Index to Indian Periodicals Z7164. S68 .I53 1987 MLA International Bibliography &#8211; online Center for Research Libraries &#8211; online &#8211; STQ hard-copies are available? UTL Research Guides &#8211; South Asia &#8211; DSAL Bibliography of Asian Studies &#8211; BAS Journals: Asian Theatre Journal TDR &#8211; The [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=11&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Indices and databases:
<ol>
<li>Indian Periodical Index   AI 10. I6. G8 </li>
<li>Index to Indian Periodicals    Z7164. S68 .I53 1987</li>
<li>MLA International Bibliography &#8211; online</li>
<li>Center for Research Libraries &#8211; online &#8211; STQ hard-copies are available?</li>
<li>UTL Research Guides &#8211; South Asia &#8211; DSAL</li>
<li>Bibliography of Asian Studies &#8211; BAS</li>
</ol>
<p>Journals:
<ol>
<li>Asian Theatre Journal</li>
<li>TDR &#8211; The Drama Review (from MIT, ed. Schechner)</li>
<li>Seagull Theatre Quarterly &#8211; STQ (Kolkata, ed. Anjum Katyal)</li>
</ol>
<p>Subject librarian at UTL for SAS, Felicity Pickup, helped me on 11 Jan 10 in searching over the resources available. RACER coordiantor Jane Lynch is so helpful in procuring STQ copies from Chigago &amp; Waterloo.</p>
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		<title>Nepal &#8211; alternative theatre</title>
		<link>http://grouptheatre.wordpress.com/2010/02/12/nepal-alternative-theatre/</link>
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		<pubDate>Fri, 12 Feb 2010 22:38:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[Asesh Malla&#8217;s group Swarwanam (Website) &#8211; &#8220;goes Global&#8221; &#8211; like Nandikar?<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=10&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Asesh Malla&#8217;s group Swarwanam (<a href="http://www.sarwanam.org/">Website</a>) &#8211; &#8220;goes Global&#8221; &#8211; like Nandikar?</p>
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		<title>STQ articles of interest</title>
		<link>http://grouptheatre.wordpress.com/2010/02/12/stq-articles-of-interest/</link>
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		<pubDate>Fri, 12 Feb 2010 20:56:00 +0000</pubDate>
		<dc:creator>prasantadhar</dc:creator>
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		<description><![CDATA[Theatrescapes &#8211; column by Samik Bandyopadhyay Specific:Year &#8211; Issue &#8211; Title &#8211; Author1994 &#8211; 1 &#8211; Twenty Five Years of Alternative Theatre &#8211; Ipsita Chanda1995 &#8211; 5 &#8211; Bangalore Little Theatre &#8211; Thirty Five years of community Theatre1996 &#8211; 11 &#8211; Bhramyaman &#8211; Traveling Theatre of Assam &#8211; Bhupendranath Saikia1996 &#8211; 12 &#8211; Bengali Theatre [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=grouptheatre.wordpress.com&amp;blog=12214697&amp;post=9&amp;subd=grouptheatre&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Theatrescapes &#8211; column by Samik Bandyopadhyay</p>
<p>Specific:<br />Year  &#8211; Issue &#8211; Title &#8211; Author<br />1994 &#8211; 1 &#8211; Twenty Five Years of Alternative Theatre &#8211; Ipsita Chanda<br />1995 &#8211; 5 &#8211; Bangalore Little Theatre &#8211; Thirty Five years of community Theatre<br />1996 &#8211; 11 &#8211; Bhramyaman &#8211; Traveling Theatre of Assam &#8211; Bhupendranath Saikia<br />1996 &#8211; 12 &#8211; Bengali Theatre &#8211; The End of Colonial Tradition? &#8211; Samik Bandyopadhyay<br />March 1997 &#8211; 13 &#8211; Search: A Seminar on the Future of Alternative Theatre &#8211; Bansi Bhattacharya, Paramita Bannerjee<br />June/Sep 1997 &#8211; 14/15 &#8211; The New Karnas of Manipur &#8211; Samik Bandyopadhyay<br />*Dec 2000 &#8211; May 2001 &#8211; 27/28 &#8211; Introduction &#8211; Samik Bandyopadhyay<br />*June 2001 &#8211; 29/30 &#8211; &#8216;My Kind of theatre is for the people&#8217; &#8211; Kumar Roy; Minority culture, Universal voice &#8211; Rudraprasad Sengupta; Falling in Love with Theatre &#8211; Arun Mukhopadhyay; Conversations &#8211; ?<br />*This two issues are dealing entirely with Group Theatre in Bengal<br />Sep 2001 &#8211; 31 &#8211; Articles by Veena Naregal, Sudipto Chatterjee and Theodore Bhaskaran<br />2002 &#8211; 32/33 &#8211; Gujrat carnage special (including a short write-up by Aijaz Ahmed)<br />Here after STQ goes audio-visual&#8230;.</p>
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